In Coralie Fargeat's new feminist terror flick The Substance, unsafe social elegance standards are the real beasts. They (women objectification, the disposal of "the outdated," the proliferation of a field built on body alteration) feed a beast of a pattern that leads Demi Moore's fading TV individuality character Elisabeth https://throughaglassdarklyclips.jiliblog.com/87280144/margaret-qualley-the-substance